We’re celebrating the 20th Anniversary of the Monday Night Poetry Series at KGB Bar with spotlights on the poets who have hosted the series. Laura Cronk and Michael Quattrone hosted from 2007 until 2011. The duo of hosts became a trifecta when Megin Jimenez joined the team in 2009. In this post, Michael and Laura remember the beginning of their work on the series. Stay tuned for an interview with Megin Jimenez.

This is the fourth post in a six-part series. To read Part 1 featuring Monday Night Poetry Series co-founder Star Black, please click here, for Part 2 featuring Monday Night Poetry Series co-founder David Lehman, please click here. To read part 3 featuring Monday Night Poetry Series hosts Deborah Landau and Matthew Zapruder, please click here.

 

lc laugh kgbLaura Cronk is the author of Having Been an Accomplice from Persea Books and has published poetry and essays widely. She is Assistant Professor of Writing at The New School where she also directs undergraduate and continuing education programs in writing including The Summer Writers Colony and the Riggio Writing & Democracy Program. She is currently poetry editor of The Inquisitive Eater.

Michael Quattrone serves as chairman of the David Rockefeller Fund, a family foundation dedicated to fostering and embodying a more creative, just, and flourishing world through catalytic grantmaking and advocacy. He is also a director of Hearthfire, a nonprofit retreat center in Pocantico Hills, New York, launched in 2011 with his wife, Kala Smith. He holds an MFA from The New School in poetry and published an award-winning chapbook Rhinoceroses. He is a singer/songwriter and is at work on his first record.

Laura Cronk: Michael, I remember meeting up for the first time as co-curators at French Roast where we drank coffee and hatched plans for our first season together. David Lehman had invited us in when Deborah Landau and Matthew Zapruder had to step away. I remember how exciting it was knowing that many poets we admired were likely to accept our invitations. We were very conscious of the work that had done to build the series into something so formidable but also so alive. We wanted to continue to bring in as eclectic and fine a cast of poets as we could. Michael, you and I both come from theater backgrounds, and there was something about pulling off the weekly production of it together that was very satisfying. When I read this line is an essay by Fanny Howe, I immediately thought of KGB, “There we will create a little home school and a theater and call it the world.” Do we have any stories from those Monday nights?

Michael Quattrone: Near the end of October, 2008, Rick Barot and CA Conrad came to read.

LC: Oh, this is a good one! I was out on maternity leave but I do remember you filling me in on what I missed that night.

MQ soloMQ: During CA’s set, I began to hear some minor disturbance from the back of the room. I ignored the initial muttering and bottle clinking, absorbed as I was in Conrad’s poem, which described a man walking naked into a church and prostrating himself before an altar to the King . . . Elvis Presley. As the man is rapt in his devotion, a goat enters the church, walks down the aisle, and mounts him from behind. At that very moment in the narrative, a cry erupted from behind me, where a bar patron had become violent, punching our beloved bartender, Seiji. Two men quickly restrained the perpetrator, while I jumped over the bar to dial 911. The angry man, who had apparently been provoked by the communist icon on the bartender’s hat, quickly fled, and after we checked on Seiji, CA finished his reading. I have wondered since then if CA’s dreamscape cast a spell on the room that night? Perhaps the confluence of KGB, Elvis, and mystical eroticism is too much for some of us to bear. Ask Shanna Compton! She was there, and mentioned my dubious heroism in a blog post...

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Next up at KGB Bar:

Monday Night Poetry
Featuring Macgregor Card and Ocean Vuong
KGB Bar | 85 E 4th St, NYC
April 03, 2017
7:00 pm — 9:00 pm

About The Author

Founded in Greenwich Village in 1931, Creative Writing at The New School continues to promote, engender, and shape innovative literature.