Born to Run Away coverWinners of the annual New School Chapbook Series competition will be featured at a special event hosted by Creative Writing on Tuesday, October 20th. MFA '14 alumni Anna Fridlis, Steven Klett, Gillian O'Neill, and Chelsea Schoenbeck will read selections from their winning chapbooks.

Anna Fridlis will read from her nonfiction chapbook, The Edge of the Known World, selected by nonfiction judge Ted Conover. Conover writes of Fridlis's work,

"This storyteller has her own voice, and the power to conjure up a faraway place and time. I happen to have read Chekhov's 'Sakhalin Island' and I admire the way Fridlis invokes it to help set her desolate stage; the slow reveal that this is the story of her grandparents adds meaning and tension. On the last page I wanted to know what happens next to these humble people on the edge of the world."

Steven Klett's chapbook, A Field Full of Mirrors, was selected by poetry judge Rachel Zucker. Zucker writes,

"Initially, I was seduced by the short, funny poems in A Field Full of Mirrors—poems like 'Van Gogh' and 'Moss'—poems that made me laugh out loud. I wanted to send these poems to friends who don’t usually read poetry because I knew they would like them and laugh out loud as well. What kept me reading and liking Steven Klett’s poems was the way the humor, strangeness, charm and sonic pleasure of these poems dig until they hit something deeper, something substantial. Klett’s poems are playful and pleasing to the ear: 'As night wore out its welcome/ we made headway with wine”; “We sleep on beaches/ and speak with the intimacy/ of a clam to its shell.' The poems are quick witted but never rushed. Klett looks at relationships and the human condition as if he were an explorer, turning over a rock, peeling back a piece of bark, slowly, carefully, full of precision."

Fiction winner Gillian O'Neill's winning chapbook, The Cottage, was chosen by Justin Torres.

"The Cottage is a very evocative story that is also very short. When I reached the end I thought, surely this is not the end! My other thought was, surely I've just read the winner. Judging is a strange business. The stories for this contest were all strong, all laudable. I wondered, should I pick the sexiest story? The boldest? The most imaginative? The saddest? The Cottage is all these things—sexy, bold, deeply imagined, sad. But where The Cottage is superlative, and undeniable, is in the quality of the writing itself. O'Neill's writerly instincts, her pacing, her use of dialogue, the clarity and variety of her sentences, somehow exhibit both maturation and promise. This story could, to my mind, go on, go deeper—or not. There is, after all, something satisfyingly startling in its sudden termination. Either way, it is a winning story written in winning prose. And most importantly, and what seemed most worthy of recognition, was the certainty that O'Neill herself will go on writing, going ever deeper. So my initial thought, surely this not the end, might be seen to have arisen from a kind of general hunger for more from this author, and an awareness that I had just read the work of a writer with a brilliant career ahead. Let me then revise and rephrase that thought, and in doing so, offer a toast to O'Neill: surely this is just the beginning!"

Chelsea Schoenbeck, winner of the Writing for Children and Young Adult competition, was selected by Aaron Starmer for her chapbook, Born to Run Away.

"Like so many great stories, Chelsea Schoenbeck’s Born To Run Away is about a very specific moment. Two friends reunite after a year apart and confront unresolved issues surrounding the death of a young woman named Amelia. Heartbroken and confused, Lee was Amelia’s best friend. Aloof and wandering, singer-songwriter Rhett was Amelia’s friend too, but their friendship had grown into something more. Lee and Rhett are haunted by what could have been, because Amelia had made promises to both of them. And she could only keep one of those promises. In fluid, patient prose, Schoenbeck follows Lee as she tracks Rhett down in Malibu. Carrying little more than a notebook full of letters and a mysterious box under her arm, Lee hopes to tie up loose ends. But the wonderful thing about a story like this is that once the loose ends are tied, everything unfolds. That specific moment may be over. Amelia’s story may have ended. But Lee and Rhett have new roads in front of them."

 

MFA in Creative Writing Chapbook Reading
Tuesday, October 20, 6:30pm
Theresa Lang Center, 55 W. 13th Street, 2nd floor
Free and open to all, with a public reception to follow.

 

 

 

About The Author

Founded in Greenwich Village in 1931, Creative Writing at The New School continues to promote, engender, and shape innovative literature.